Symphony No. 1: To the Unknown God - 1. Adagio Maestoso
Monday, December 14, 2009 at 05:33 PM Here is the synthesizer mock-up of the first movement of the symphony on which I am working.
Play Me
Monday, December 14, 2009 at 05:33 PM Here is the synthesizer mock-up of the first movement of the symphony on which I am working.
Play Me
Tuesday, December 9, 2008 at 10:00 PM As we sat trailside, embushed,
surveilling the night for signs of life meriting ambush,
what appeared to be a lantern light appeared,
bobbing in the distance of night's dark water.
Ramald, our token amputee,
wanted to have a closer look,
but we conferred and advised against it.
Who knew but that our new mark
could be extremely dangerous, perhaps
a woman carrying her husband in a vase, or
worse yet, clutching a snow-globe to her chest.
Our small band could not afford to brook such chances.
The air was heavy with moist heat, positively
orthodox in its weight. The smokers among us
tried their best to suppress expectoration.
Others were more relaxed, I suspect,
dozily dreaming of longhouses
and fresh bread baking over a fire subliminated
by the approaching lantern light,
while Ramald quietly spoke of a dream he had:
"Being a husband makes
the free use of phrases like
'menagerie of pussy' problematic,
and I am no longer an ornament for barstools.
For instance,
disorganized ladies of sleep
come bearing temporal messages.
I am more interested in their hairpins
than what they have to say.
They pester me with daylong whispers
in a silvery tongue I can not uncrumple.
I become irritated with their insistence,
tell them they should wear more hairpins.
Imperturb, they reveal to me
their blueprints for a Trojan brothel.
I question the wisdom
in showing me their hand.
And don't they know that it is they
who must come to me?
I look around to find
I am comfortably seated in a brothel."
We had forgotten the approaching light.
Sunday, December 7, 2008 at 04:34 PM "Fearnaught repels in snowmite reveries,"
a flaky, can-shaking, cardamom-armpitted woman
spices speechfood at the intersection of "Nettled Nun,
Quinoa Quim." Her rectum is
a wrack, wet paper pulped into underskirts.
But you came here to praise the crazy - not
taste them - and it is insoluble
that someone won't "give a frightened fuck for my husband,"
some nameless, wild turkey
on a bar-paned floor above another floor. But
you came here to raise the deranged - not rehearse
them. Are they the necessary mediums of what
we will not whimper or shout out loud
to unseen anyones on a street corner,
where some cold, saltwashed landhag holds
her final, curbstone redoubt, undoubtedly with purpose?
Though someone is able only to surmise.
It may be whole cloth, coin in can.
Sunday, October 26, 2008 at 05:13 PM